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News

14 Jun

Premiere of the Cello Concerto in Poland

Diana Castelnuovo-Tedesco / News /

Since 2018, the Italian cellist Silvia Chiesa has been reintroducing Mario Castelnuovo-Tedesco’s Concerto for cello and orchestra, opus 72, to European audiences. On Friday 18 June 2021 she will premiere the work in Poland, in Jelenia Góra, with the Lower Silesian Philharmonic Orchestra, conducted by Massimiliano Caldi. This performance had been planned for March 2020, but it was cancelled due to the COVID-19 pandemic.
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07 Jun

The Complete Greeting Cards for Piano

Diana Castelnuovo-Tedesco / News /

Mario Castelnuovo Tedesco composed 52 Greeting Cards for various instruments between 1953 and 1967, which he developed in a non-systematic manner up to the year before his death. These pieces were conceived as gifts for his interpreters, friends, and students, whom the author wished to delight with short musical portraits. The 18 Greeting Cards for piano (17 for solo piano and one for two pianos) represent an equilibrium between experimentation and tradition. During the composer’s life, only a handful of these short works were published. Now, for the first time, Castelnuovo-Tedesco’s complete Greeting Cards for piano are available in a critical edition, edited by Luca Ciammarughi and published by Ricordi
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10 May

Exile and Creativity: An Anthology

Diana Castelnuovo-Tedesco / News /

Mario Castelnuovo-Tedesco is among the men and women featured in Exile and Creativity, a volume of essays inspired by a series of programs held in 2017-18 by the Italian Cultural Institute in New York jointly with Centro Primo Levi. The essays examine the lives of intellectuals, artists, and scientists who were forced into or chose exile during the Fascist era.  Among those highlighted in the book are the Nobel-prize winning physicist Enrico Fermi, the sculptor Costantino Nivola, the writer and cultural figure Amelia Rosselli, and the legendary conductor Arturo Toscanini. 
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17 Mar

Three New Piano Editions

Diana Castelnuovo-Tedesco / News /

Edizioni Curci has just published three new editions of previously unavailable works for solo piano by Mario Castelnuovo-Tedesco: a volume of early compositions from the composer’s years in Italy, titled Piano Works – Vol.1 “Firenze”; a volume of works written during his time in America, titled Piano Works – Vol. 2 “Hollywood”; and a third, stand-alone publication of his Six Pieces in the Form of Canons (1947). All three have been edited by the eminent composer and musicologist Angelo Gilardino and join Curci’s already extensive Mario Castelnuovo-Tedesco Collection. 
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06 Jan

2020 Recordings: Music for Guitar

Diana Castelnuovo-Tedesco / News /

Year upon year, guitarists around the world explore the compositions of Mario Castelnuovo-Tedesco and to bring them to life in new recordings. 2019 brought important monograph CDs by Angelo Marchese and Giacomo Palazzesi, the release of a pair of two exceptional recordings of the Guitar Quintet (one by Sharon Isbin and the Pacifica Quartet and the other by Jason Vieaux and the Escher Quartet), and many more.  In 2020 guitarists continued to interpret Castelnuovo-Tedesco’s masterworks on their latest recordings.
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14 Dec

Food for the Soul: New Recordings 2020

Diana Castelnuovo-Tedesco / News /

With few live concerts due to the pandemic, this year virtual performances have delivered much-needed beauty and hope to keep us going in these challenging times.  Many wonderful artists have released recordings of Castelnuovo-Tedesco’s music in the past (check out this list); in 2020,  an array of new monograph recording projects have brought to light even more of the composer’s extensive catalog. 
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01 Jul

Virtual Roundtable on the Art Songs of Castelnuovo-Tedesco

Diana Castelnuovo-Tedesco / News /

A virtual roundtable on Sunday, 12 July 2020 at 3 p.m. Eastern (12 noon Pacific, 21h Central European)  will focus on a genre very dear to Mario Castelnuovo-Tedesco: art songs.  Much of his prolific output (220 songs), which the composer called “my most sincere and personal expressions,”  is rarely heard today and, until recently, had remained unrecorded. In conjunction with the release of Songs from a Lost World of Italian-Jewish Composers, Vol. III, the event will be a conversation about, and a chance to listen to, some of the composer’s settings of Italian poetry, and it will include a discussion of the context in which the songs were composed.
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15 Jun

Exploring Los Caprichos de Goya

Diana Castelnuovo-Tedesco / News /

“Where can I find more information about Los Caprichos de Goya ?” is a question that often arises.

For those wishing to learn more about this cycle, which the composer himself described as his most ambitious guitar work, there are several primary sources (currently available only in Italian): the pages Mario dedicated to the work in his autobiography, Una Vita di Musica: Un Libro di Ricordi, published by Cadmo in 2005, as well as the letters of Andres Segovia to the composer, published in the volume Caro Mario: Lettere a Castelnuovo-Tedesco, edited by Angelo Gilardino and published by Edizioni Curci in 2018. Gilardino also discusses the work in the biography Mario Castelnuovo-Tedesco: Un Fiorentino a Beverly Hills also published in 2018 by Curci In English, one can consult Lily Afshar’s 1989 dissertation, “Los Caprichos de Goya and their relation to Goya’s etchings” and several other doctoral theses, as well as the liner notes to Zoran Dukic’s 2009 recording of Los Caprichos  for Naxos.
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10 Jun

Spotlight on Suite 508 for viola and piano

Diana Castelnuovo-Tedesco / News /

Mario Castelnuovo-Tedesco mused in his autobiography  that if by chance his name were still remembered 100 years hence, musicologists might hear the title Suite 508 and ask, “What happened to the other 507 suites?”

He explained the origin of the title: Suite 508 was the number of his apartment in the Kellogg Center at Michigan State University (MSU) when he spent a semester as Distinguished Visiting Professor in the autumn of 1959. His stay in Michigan took place at the height of his post-war career, after he had made international headlines when he won the International Campari Prize for his opera The Merchant of Venice.
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